About the book (Introduction to Project Management)
This book mainly aims to present important concepts in the science of project management, not only to project managers but also to all those interested, participants, stakeholders, and stakeholders in the project environment. Also, the book targets the student in the scientific fields (management, engineering, information technology, etc.) that are related to project management and its knowledge in one way or another, adopting a method that is appropriate for the educational and academic process by explaining the concepts and presenting questions in the form of multiple choices at the end of each chapter.
The book is divided into eleven chapters:
• Project management overview
• The role of the project manager
• Project planning management
• Project scope management
• Project scheduling management
• Project resource management
• Project cost management
• Communication management
• Quality Management
• Risk Management
• Project Management Office (PMO).
Life is a drama, and drama is a drama within this drama, and most of it talks about this drama that emerges from it, and the process of acting is the enemy of this drama. The more we are honest in presenting this drama, and the more we are spontaneous, the more we seem real, and the exact opposite is true. When you look like you are acting, you will be closer to failure, and farther away from the audience’s love. Even a clown must clown with sincerity and spontaneity that makes him appear real. Our example is Charlie Chaplin, who used clown tools in all his roles that people know, and the audience interacted with the humanitarian issues that he raised and sympathized with them. .
We all know that what is presented on the screen are nothing but events that have no basis, so we think, but why do we follow them if we believe that? We follow it because we are in fact the heroes of this drama: its author, director, actor, and the rest of its makers speak in our name, act for us, and represent us at the same time, and when we follow them we are watching ourselves, or details from it.
This collection presents a group of stories that attempt to approach the worlds of drama in one way or another, in writing and acting.
