Why poetry now?!
We live in an age of betrayals, conspiracies, and assassinations. We pant through twenty-four crowded, deadly hours in a frame of extended, neglected time that does not give any importance to our entire lives. We live in vortexes, labyrinths, and alienation. We live in oppression, fear, and hunger. So why poetry now?!
Who has time for poetry? Who has time to write poetry?! Who has time to receive poetry?!
Poetry riots against betrayal, conspiracy, and murder, or it riots against triviality, superficiality, and sorcery. If poetry does not say: “No” in a blatant, loud, and hurtful way, then it does not accept to say: “Yes,” even by cutting off its head.
It's that great positive thing. It is what confirms to us that we cry because we are not yet accustomed to humiliation and have not accepted it, that we bleed because we have not died, and that we are angry because we have not adapted to injustice. It alerts us to what we have almost forgotten, and reminds us that we are human, and that we are bigger and greater than our daily lives.
we are human beings. We must always remember this, and poetry must always remind us of this.
We are greater than profit and loss, greater than acceptance and surrender, or malice and evasion.
So poetry is necessary.
Therefore, a poet is necessary.
The Law of Intellectual Attraction:
The Law of Attraction is a concept in psychology and neuroscience that refers to the idea that the thoughts, criticisms, and feelings that we focus on and develop are powerfully attracted to us. The task of an individual to experience the Law of Attraction is to move toward positive thinking, use visualization, and continually focus on the goals and things that he or she desires to attract.
When we focus on positivity and have self-confidence, we attract opportunities, people and experiences that enhance our success and happiness, and our subconscious mind acts as a magnet that attracts what is in line with our thinking and feelings.
Subconscious programming is the process of changing negative models in our subconscious mind and replacing them with positive models
This is done by using techniques and methods such as guidance, positive affirmations, and positive visualization.
Between Abu Dhabi and London The predecessor of love Between Who Am I's daughter and Tariq's madness... I love London and Abu Dhabi A quartet of short novels... which talks about a daughter who lives with a family she thinks is her family, but discovers in the end that she is an orphan... Then the novel moves to the previous story of the love and sacrifice of a woman for the sake of a man she loved... After that, it talks about Tariq's madness for horses until the novel takes us to its end. Between London and Abu Dhabi.. The summary of the novel lies in loyalty and true love that resides in the depths of the soul and we cannot extract it, love but in silence..
Life is a drama, and drama is a drama within this drama, and most of it talks about this drama that emerges from it, and the process of acting is the enemy of this drama. The more we are honest in presenting this drama, and the more we are spontaneous, the more we seem real, and the exact opposite is true. When you look like you are acting, you will be closer to failure, and farther away from the audience’s love. Even a clown must clown with sincerity and spontaneity that makes him appear real. Our example is Charlie Chaplin, who used clown tools in all his roles that people know, and the audience interacted with the humanitarian issues that he raised and sympathized with them. .
We all know that what is presented on the screen are nothing but events that have no basis, so we think, but why do we follow them if we believe that? We follow it because we are in fact the heroes of this drama: its author, director, actor, and the rest of its makers speak in our name, act for us, and represent us at the same time, and when we follow them we are watching ourselves, or details from it.
This collection presents a group of stories that attempt to approach the worlds of drama in one way or another, in writing and acting.
