باعتباره نهجًا ثوريًا للتحفيز والتقدم الوظيفي، يمزج هذا الكتاب عناصر من مبادئ علم التحفيز وتصميم الألعاب والإدارة الذكية، ويظهر لك كيفية القيام بما يلي: إنشاء ثقافة تعزز التعاون والإبداع والإنتاج المذهل. ديناميكيات تحفيزية متغيرة تؤثر على سلوكيات وأداء أي فريق.
Hiding behind the identity of a mysterious orientalist, a young American comes to Jabal al-Arab, moves between the villages of Suwayda, and then continues his journey to Latakia. To complete the threads of a miraculous story he heard and became a party to, let us read it partly from the pages of the orientalist’s memoirs, and hear it partly from the tongues of people who lived it.
The Jabal al-Arab region continues to generate stories that tell of the harshness of life, social injustice, and the tyranny of customs and traditions that strangle the fates of heroes. But just as there are “pashas” and “maraba’un” in the mountain, there are “pashas” and “peasants” in other places. With the conflict between all of these people, falling in love becomes an adventure with unknown consequences.
In his novel, Rabih Murshid delves deeply into the oral heritage of his environment, employing its myths, songs, and poems arranged within graceful and interesting narrative templates, to tell a love story between two people riding on horseback and trying to conquer fear by singing.
Happiness does not belong to one person and not another. It is not a value that is disputed or bought or sold. Rather, it is a reality that exists in some form, place, and time. Either you strive for it and obtain it, or you are against it, and in this case you must mortal.
A person may spend his life searching for happiness while he does not know that he possesses it. He searches for it far away, while it is near him. He may realize this after it is too late, and his condition says:
And I learned that when knowledge is of no use to a boy
What I lost was with me
Since those who hold psychological theories have given themselves permission to search for happiness, poetry has also given us permission to search for it. Poets are sensing stations of human beings, and they are more capable of understanding the essence and reality of happiness than others.
From here, the study paid attention to the poetic discourse of the most famous poets of Arabic literature during the various eras from pre-Islamic times until the present day, and studied and analyzed the poetic evidence related to happiness in their poems and how they reached and achieved it.
This study remains a prelude and key to broader future studies that include other literary genres such as the story, the novel, the story, and the biography, which enriches social and psychological research and studies that relate to human life and its nature and value. In the case of this study, he says:
I am happy if I exist
The four of us lived in a rather narrow room, with a roof that served as a filter in the winter for the rainwater received by the carefully distributed bowls and utensils. It was rented to us by an obese widow in her forties. She was a cold woman with a sharp tongue, but she did not increase the price of our rent, fortunately for us. ..
Then the fire came and consumed everything.
The objects... the rooms... the building... and even the fat Mrs. Afaf, who has a foul-mouthed tongue!
We were looking at the scene with sad faces. The firefighters, with their old equipment and their late arrival, were unable to save anything, and no one moved to help the miserable widow due to the ferocity of the fire that occurred through her negligence, as we learned later.
We gathered in the café at a small circular table to think about a solution to the problem we found ourselves in.
- “We leave...”
Siwar said it after a deafening silence, then Kahf nodded his head in support and said with a smile:
- There is no escape, there is no other solution.
While (Herbak) remained silent as usual, so I did the same. I trusted their opinion and considered him to be the decisive factor. He did not trust his personal judgments much when we were together, so his opinion was my opinion..
Jeremy visits the island of Mauritius, to investigate his family history, and search for the last traces of the extinct dodo bird. His journey intersects with an opposite journey undertaken by Dominic, a tramp who was born to laugh, as he says about himself. Between the two journeys, stories reproduce and multiply, and as the narrative progresses, the world of Alma is built, which modern times have transformed into “Maya Land”: a land of illusions.
