A literary work in the form of modern poetic texts and prose that takes the reader on a journey of self-exploration and diving into the depths of human feelings, values, principles, and meanings. The first station of the journey will be with the psychological struggle to be liberated from the shackles of fears and obstacles, followed by the station of contemplation and contemplation of all the lessons of the school of life, followed by the station of revealing feelings of love and joy, and then humanity and loyalty to the homeland, and then passing by the station of singing coffee and everything that enchants the mood, and travel and wandering. , longing, vague feelings, love for one’s family, and lamentation for the departed, ending with the station of monologue and holding onto the rope of God.
تناقش الرواية مفهوم الروح والنفس , الإنتحار والخوف من الموت , الكوابيس وتطبيقها, الأمل واليأس , الصدفة و القدر في إطار مبني علي دراسة نفسية لحالات حقيقية
Water memory:
It is considered a personal biography of the great Algerian novelist (Wassini Al-Araj), in which he talks about the control of armed terrorist groups at that time over all aspects of life in his country, and how he suffered because of that, being estranged from his family and hiding so that he would not be killed.
A university professor sees a painting in a museum in which a person very similar to his father is drawn, and he feels deeply that the resemblance does not stop at the symmetry of the two faces alone. A frightening intuition awakens within him, and he tries to meet a relative of the descendants of the man in the painting.
The novel's hero enters the maze of dream and wakefulness, and the maze of memory with its ramifications, evoking stories in which the real is mixed with the imaginary, and little by little we find that we are faced with several narratives, each one of which brings us into a new loss, until we ourselves become walking on the border between dream and wakefulness.
In “The Dark Bank,” José María Merino writes about the other or the companion, and about the past and memory, in a wonderful labyrinthine structure, within a vast time that lies on the margins of hours and pulses, and offers us pure pleasure that stimulates our imagination and senses.
Al-Zeer Salem, the hero, between biography and history
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The controversy that took place on the pages of newspapers, magazines, and television seminars about the series Al-Zeer Salem moved this series from being an entertainment material that ends with (I like it or I do not like it), to being a cultural material whose discussion requires a cognitive reference.
The ending to Al-Zeer Salem in the series was one of the most controversial topics. The popular story ends when Al-Zir wins and Al-Jarru manages to kill his uncle Jassas and humiliate Bani Bakr. But history does not stop at the popular mood with which biography interacts.
People are defending the stereotype they have in their mind of the hero. Historical truth destroys and distorts this image. Therefore, it is easier for them to deny this fact than to accept it. Denial comes either by accusing us of forgery, distortion for the sake of omission, or ignorance of history or biography. Not to mention the accusation of being hostile to the nation and distorting the images of its heroes.
All of this created an opportunity for us to have a serious discussion about drama and its relationship to history and popular biography, by responding to some proposals. Perhaps this discussion will bring some benefit to the reader, and shed light on some of the ambiguities that have occurred.