تضمن الكتاب كثيرًا من المبادئ التي أعطت للعنصر العقلي بُعدًا أساسيًا فيما يتعلق بالوضع المالي للأفراد، ورغمَ خروجها عن المألوف قليلًا، قوبلت نظريات Ekerl بقدر كبير من التصديق والإقرار بصحتها، ومرد ذلك إلى أنها مستمدة من طلب تجربته الشخصية ونجاحه في الانتقال من الفقر إلى الثراء في زمنٍ قياسي، (أسرار عقل المليونير) واحد .
The chain of expression formation takes shape in the writer’s imagination, and emerges in the form of an interconnected fabric.
It reveals to us the ability of its writer to express...and expression is an art that only those who are able to convey to us what he expressed are good at.
The image (a snapshot) was not made fleeting by the camera... because it stopped its movement to preserve it in all its beauty and splendor...
Therefore, the image was a tool of expression other than the word... and between the word and the image (a snapshot) that the photographer took
With his artistic sense, he conveys it from his angle through his lens...and the writer documents it to convey its image in his letters...
There are many pictures that we have memorized from the angle of their photographer.. and many are the sentences whose reality we imagine
From the writer's letters... and between the word and the image was the soul of this book... which breathes through the lungs of the word and the image
In order for the spirit of expression to remain alive, stop at beauty and inhale its fragrance through its expression..
Salman visits the dead cities to make a documentary film about them, those cities that were symbols of ancient civilizations, before they became cities of broken columns and stone remains. But he finds there, in the house of one of the city's elders, a painting of a wounded deer, signed by his mother, "Fatima." Soon, the owner of the house presents him with possible scenarios for his film, all of which revolve around “Fatima,” and he finds himself entering a magical world and a confusing maze as he spies on the hidden faces of his mother, realizing that he only knew one face of her.
In this novel, Khairy Al-Dhahabi manipulates times and multiple voices to write about dead cities and Fatima with its many mirrors. Who is she? What is its truth? What is the secret of wishing? “If her name wasn’t Fatima”?
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