Qaddour’s text takes inspiration from the idea of confession from the text “Death and the Virgin” by the Chilean writer Ariel Dorfman. Without that, the text begins to build its purely Syrian story, which revolves around an old relationship that comes back to life between an officer who was expelled by the ruling regime in peacetime and brought back in war, and “Jalal,” who was tortured in one of the days of peace. Syrian security detention centers, and among a former detainee who was tortured under the hands of the former. The two meet when their destinies intertwine through Jalal's nephew, the theater director concerned with directing the play "Death and the Virgin" in which Akram plays the role of the tortured, while the character of the tortured girl is played by "Haya, Soha Nader", Omar's lover. In the orbit of these relationships, Radwan, Hamza Hamada, the officer’s bodyguard, gets lost without knowing the horrors he will face after leaving the officer’s service to participate in the massacre of the twenty-first century.
In The Lost, Kafka describes precisely and at length the world of work in the modern era, this world that grinds everything into dust, in which no rest periods are allowed, in which only the succession of working hands is allowed. This novel is one of the most international novels that reveals modern industrial society with insight, farsightedness, and prediction.
Wilhelm Emmerich
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