War has no female face (Nobel Prize for Literature 2015)
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Thousands of wars took place, short and long. We knew the details of some of them, while other details were absent among the bodies of the victims. Many wrote, but men always wrote about men. Everything we knew about war, we knew through “the man’s voice.” We are all prisoners of “men’s” perceptions and feelings about war, prisoners of “men’s” words. As for women, they have always been silent.
In World War II, approximately one million Soviet women participated in fighting on all fronts and in various tasks. Svetlana raises important questions about the role of women in the war: Why did women, who defended their land and took their place in an exclusive male world, not defend their history? Where are their words and where are their feelings? There is a whole hidden world. Their war remained unknown...
In her book, “War Has No Female Face,” Svetlana writes the history of this war. Women's war.
Summary of the novel (Gypsy Female) This novel tells the story of a disabled Iraqi Christian girl whose mother died while giving birth to her. She lived under the care of a doctor father who sought the help of a colleague at work to raise his only daughter, but this woman is also kidnapped by death, so the girl lives with her father, who she mysteriously loses during the invasion of Kuwait, leaving for Baghdad at a time when Hunger and comprehensive siege, and she lives there between a close Christian couple until they die, leaving “Asmaa”, having lost her three mothers in succession. She remains alone, fighting the hell of bloody violence spreading in her Iraqi homeland until she leaves it to other homelands, as if she were a gypsy female tormented by travel as she climbed the walls of that country. Towering nations with one arm. It is the story of an Arab girl who is ravaged by the horrors of what the world is experiencing around her, but she creates life with a unique feminine ability as she moves between several homelands like a shivering bird searching for a nest that might shelter it in a forest whose tree leaves have fallen in a weeping autumn. This narrative may announce (the death of the novelist), but knowledge of this can only be determined by the reader as he follows the aesthetics of the narrative in it.
Indian stories:
It is a story of the adventures of Hindi and her friends
These stories were written in a way that speaks to the mind and heart of the child, mixed with gentle educational and psychological messages, and with the template of adventures that are beloved for children.
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