أجيج رواية قصيرة ضمن سلسلة خماسية صدرت للكاتب أسامة المسلم من إصدارات مركز الأدب العربي. أجيج تحكي عن يُسرى الابنة البكر والمنبوذة في العائلة من قبل الجميع عدا أبيها. تتأرجح حالتها الغريبة بين الأسباب النفسية وتدخل الشياطين في حين لا تتقبل العائلة هذا الاختلاف فتصمها أمها ومعها إخوتها بغريبة الأطوار.
وإن كُنّا ملائك ولسنا ملائكة.. وما عبدنا إلا الواحد الأحدوإن في هذه الدنيا أجناس ..نفوس تهيم بلا جسدوإن سيرتنا قد أنورت وأبهرت.. في كل أسطورة عاشت إلى الأبدوأن هذا أوانها لنحكيها ونسردها ... فتبلغ كل ذي عقل ورشد
This book collects selected texts by twenty-one male and female poets from different cultural and social backgrounds, regardless of the reasons and ways they left Syria, even though most of them left after the outbreak of the revolution in early 2011. Today they live in various countries in the Arab world and outside it, and many of them live in Germany especially.
These selections are an attempt to shed light on the Syrian poetic experience emerging in exile, which carries within it the diversity of poets’ styles, experiences, opinions and ages, and presents a picture of the reality of Syrian poetry abroad, without evaluating it, but rather as a witness to the changes occurring in poetry and parallel to the changes in the earth. Although the features of this experience have not yet crystallized, it demonstrates effective attempts to take Syrian poetry to other directions that will inevitably lead to new places in Syrian writing.
In the late seventeenth century, Poncet, a French herbalist, travels; To live in Cairo, one of the centers of an unusual alliance between the Ottoman Sultanate and one of the European kingdoms: France.
Although he works in secret, Because he does not have a legal certificate, his fame reaches the French consul, in whom he finds the ideal person to lead a secret embassy from the French king to the Negus, King of Abyssinia, whose declared mission is to treat the Negus, while it seeks to restore French-Catholic control over Abyssinia, in a time of religious and expansionist conflicts. Which the European kingdoms are fighting among themselves.
Poncet soon discovers that the exceptional circumstances of his journey to achieve the goals of the King of France and the Pope are - alone - the solution to the exceptional obstacles that separate him from the one he loves.
In his work, which won the Goncourt Prize for First Novel and the Mediterranean Prize, Ruffin does not content himself with presenting historical facts, but rather takes us with him on a journey full of life between the neighborhoods of Cairo, the mountains of Abyssinia, and the palaces of France. To tell an exciting adventure about love, friendship, and sacrifice in an era full of conflicts, conspiracies, and betrayals.
There are no names for the women in this book. Rather, they are just bodies. It is through the body that society recognizes them, and through it they also identify themselves. This often alienated body is the same body that deserves to be celebrated and celebrated.
By masterfully combining, with innovative writing techniques, the real and the imagined, and carelessly collapsing the boundaries between psychological realism, science fiction, comedy, horror, fantasy, and magical realism, Carmen María Machado pours out in Her Body and Other Parties her vision of the contradictory world of real women. : The beautiful, the funny, the strange, the dark, and the terrifying, alike. This contradiction is etched in their experiences and daily lives, between push and pull, independence and helplessness, to ultimately reveal the surreal meaning of being a “woman.”
