“Adham” was born multiple times, which is difficult to count. And in each of his births, he carries a different personality and another life, to the point where he can be described as multiple versions of a single human being, or to borrow what he says about himself: “I am all formulations. Open endings and closed beginnings. I am the ultimate formula. I am everyone, women and men, a part.” A masculine part in a feminine personality, and a feminine part in a masculine personality. I am the one who desires immortality.
In this novel, Maha Hassan reaches the height of experimentation in writing, ignoring the rules, surrendering herself to the pleasure of storytelling, to the philosophy and philosophies of her hero, trying to write his biography in his endless births.
On a small rooftop in one of the neighborhoods of Homs, the Hamimati Nabih Wardan and his birds live a life parallel to what is happening around him in the city, a private, exotic, warm, and pure life, different from the harshness of the chaos, destruction, and displacement events that Homs is experiencing during March 2011. There is a curfew on the entire city, and the birds remain, for a while, enjoying the freedom to fly in a vast sky that knows no restrictions, but even this matter is about to change as soon as the hand of the “khaki-clad ones” extends its hand to the sky as well as to the earth, thus closing Nabih’s crossing to life. Another.
In the novel “The Unfamiliar Passage,” Firas Al-Maasarani explores - in a simple and direct manner - the magical world of Al-Hamimatiya, with its rituals and seductions related to everything related to birds and their breeding, but he goes further than that to take a look at the city of Homs as a whole, and its daily routine before it was swallowed up by the moment of transformation. .