Searching for our cities in other cities and places
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With the spread of Syrian artists and cultural practitioners around the world, it seems that the relationship with their Syrian cities, which they left or decided to remain in, remained fundamental and fundamental, but it moved to other levels of pain and hope, which alternate between the hammer of longing, nostalgia, and loss, and the anvil of anger, orphanhood, and cutting off roots.
Over the past seven years, Syrians have settled in new cities. During that time, they began a journey in search of their old cities. They settled in new homes, lived and resided in them for short periods, walked on new sidewalks, or rediscovered old sidewalks, then redefined them and discovered them in new cities and headquarters. They tried to invent Damascus, Daraa, Homs, Latakia, Their Tartous, Masyaf, and Deir ez-Zor were in new cities, and they tried to draw new maps for themselves in them, and they reinvented the city between Cairo, Beirut, Istanbul, Berlin, Paris, and other cities.
In The Red Ring, the writer returns us to the methods of the standard French realist school, in a detective style that is not devoid of suspense, and invites us to reconsider our political affiliations and alignments, regardless of their differences, and to scrutinize their origin and motives. He also asks us again the big questions about the issues of war, death, patriotism, and loyalty. Through a story that took place shortly after World War II in the French region of Berry, where a heroic veteran is arrested. He was detained in a cell that was a military barracks, and an emaciated dog barked at the door day and night.
Not far from her, a young woman lives the peasant life she was not made for, hoping to wait.
A young aristocratic judge investigates the detainee's case, after the war stripped him of his ideals and values.
Linking these characters is a dog that holds the keys to the story.