Why poetry now?!
We live in an age of betrayals, conspiracies, and assassinations. We pant through twenty-four crowded, deadly hours in a frame of extended, neglected time that does not give any importance to our entire lives. We live in vortexes, labyrinths, and alienation. We live in oppression, fear, and hunger. So why poetry now?!
Who has time for poetry? Who has time to write poetry?! Who has time to receive poetry?!
Poetry riots against betrayal, conspiracy, and murder, or it riots against triviality, superficiality, and sorcery. If poetry does not say: “No” in a blatant, loud, and hurtful way, then it does not accept to say: “Yes,” even by cutting off its head.
It's that great positive thing. It is what confirms to us that we cry because we are not yet accustomed to humiliation and have not accepted it, that we bleed because we have not died, and that we are angry because we have not adapted to injustice. It alerts us to what we have almost forgotten, and reminds us that we are human, and that we are bigger and greater than our daily lives.
we are human beings. We must always remember this, and poetry must always remind us of this.
We are greater than profit and loss, greater than acceptance and surrender, or malice and evasion.
So poetry is necessary.
Therefore, a poet is necessary.
ينطوي هذا الكتاب، سهل التناول، على مفاتيح ثمينة تمكِّن القرَّاء من استكشاف حرٍّ لأكثر القضايا إلحاحاً في حياتهم. «واحد من أعظم مفكّري العصر». الدالاي لاما.
كتاب فوائح الجمال وفواتح الجلال بقلم مجموعة مؤلفين..كتاب في التصوف تحدث فيه الشيخ نجم الدين عن مراتب النفس وعن الأذواق القلبية شارحاً بعض المقامات والأحوال ...
Khanir and Katara:
The book Khanir and Katara from the Emirates is considered a live and live broadcast in which it displays the manual techniques and technical skills for crafting and manufacturing the most famous and valuable daggers and swords in the Emirates, as it displays the manual techniques and decorative arts that forged the daggers and swords of the rulers and sheikhs of the Emirates, which reveals the artistic and aesthetic creativity of traditional manual work and how the craft was transmitted. Genetically among the sons of Al-Sayegh Muhammad Al-Naabi. The Katara in question in the title of the book is the Katara of the head of state and the one who published the cover of the book, while the Katara in question in the title is the Katara of Sheikh Sultan bin Saqr II, may God have mercy on him and forgive him. The title includes the most important national heritage symbols of the UAE.
A heritage, technical and artistic book that represents a living workshop for the craft of crafting swords and daggers in the UAE for the author’s family. The author used many mental processes to support the facts and achieve scientific credibility of the information, in addition to field visits and personal interviews. Documenting the information was based on observation through cohabitation and linking information and facts shared with global civilizations on the other hand. The technical, the artistic, and the craftsman. The writer also relied on deduction, inference, comparison, and analysis to arrive at facts that had no scientific reference in the craft environment.
