Russia witnessed several revolutions, unrest, and bloody civil wars at the beginning of the twentieth century, resulting in the emergence of the Soviet Union, which formed an image of the great and invincible empire.
Some saw in it the fulfillment of the red socialist dream of building a superpower whose influence extended over almost half the world. While some saw it as one of the harshest forms of oppressive totalitarian rule, with huge detention centers and a difficult economic situation.
In the year 1991, this empire collapsed rapidly after several revolutions, unrest, and bloody civil wars, and the red man woke up to suddenly find himself living in the ruins of an empire collapsing into dozens of conflicting countries, witnessing a massive economic collapse and the end of the great dreams he had lived.
In her book, Svetlana does not search for answers to the big questions that interest the reader of history, but rather for thousands of small details of past daily life by collecting dozens of testimonies from ordinary people who lived this experience and its ups and downs.
Svetlana searches for the small night conversations that disappear with the morning, for the dream of a new future, of another time. However, it is the same time repeated; Used time..
Stories that begin, develop, become complicated, and are interrupted before they resume again. Their heroines: Siranah, Selti, Salma, Khansi, Aishana, women whose paths and destinies intersected in that charming region of northeastern Syria, with which the “Berlin-Baghdad Railway” tampered with and the destinies of its residents. .
From the plains of Mardin, the cities of Amuda and Ras al-Ain, and the villages of Shorik, Kondak, and Tal Halaf, these women whisper secrets in their low, intermittent voices filled with fear and illness. But their stories and songs go beyond their bodies’ struggle with tuberculosis, to immortalize the struggles of the Yazidis, Syriacs, and Armenians with oppression, massacres, and eternal alienation.
In Women of Tuberculosis, Reber Youssef, with his poetic language and his special sensitivity, explores the northeastern region of Syria, including its diversity: ethnic, religious, and racial, relying on in-depth historical, geographical, and anthropological research into what people live in that part of the earth, but he... Through his work, he creates a curiosity to explore history once again, after the northeast of the country now has the face of a woman.
ذا كتاب عن الرمز والترميز في الثقافة الدارجة و" الراقية"، وفي الأدب؛ شعره ونثره، في النصوص اللغويّة والبصريّة. يتأسس الكتاب على مهاد عن الرمز والترميز، ولغات التواصل البشري غير اللفظي، والكلام بغير كلام، ويشتمل فصولًا يتناول كلٌّ منها رمزًا بالمناقشة؛ من القمر إلى الكهف، والباب، والبحر، إلى العين واللون الأسود، وغير ذلك من رموز، ويستعرض بعض تجليات ذلك الرمز في الثقافة والأدب، في الشرق والغرب. ثم يتناول نصًّا أدبيًّا يظهر فيه الرمز بجلاء، ويؤدي دورًا مهمًّا في إنتاج دلالة النّص. يشمل الكتاب كذلك نصوصًا متضمنّة تشير إلى بعض ما فيه من مفاهيم وأفكار وموضوعات. من غايات هذه النصوص الصغرى الاستطرادُ، ودفعُ الملالة والسأم، وفتح آفاق تحليل جديدة. وفي الكتاب عبارات وجُمَل ونصوص من لهجات عربيّة - خصوصا لغة أهل مصر- ترد في الكتاب على هيئتها، لا باللغة العربية الفصحى؛ ليبقى زخمها الثقافي بلا نقصان. ( إلّا رمزًا) كتاب يومئ ويشير، لكنّه لا يحيط. يحتفي بالرمز والترميز، وبالإنسان؛ مدار الترميز، وبالنّصوص الأدبية والثقافيّة؛ تلك الحقول التي تنمو فيها الرموز وتثمر
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