رواية بحيرة العشق هي من أعمال الكاتب عبد الله بوموزة ملفخص رواية بحيرة العشق يدور حول فتاة روعية تقع في عشق فتى غريب تائه في الصحراء ثم تحدث لهم الكثير من الأحداث الغريبة بين الفتاة والشاب وعائلته. الرواية ستأخذك في متاهة طويلة بين طيات صفحاتها، لتستكشف الكثير والكثير من الخفايا بين لك صفحة والأخرى
This book contains a translation of a number of television interviews with some of the most famous Latin American writers and poets, some of whom left our world leaving a great literary legacy, and some of whom are still with us today, enriching our lives with their cultural production.
The topics of these interviews varied between shedding light on the details of these writers’ personal lives and their biography and intellectual biography, to their critical opinions regarding their literary experiences and the experiences of some other writers.
Some of these interviews were conducted by media professionals and journalists on television programs, or were meetings that brought together writers with each other, such as Márquez’s interview with Neruda.
We hope that this book will be a window to discover new aspects about writers who enriched our culture and made our world wider.
It consists of thoughts and articles, predominantly of a sensual nature, and snippets chosen by the writer from his literary dictionary to touch your heart and influence you as a reader.
الجمهورية هو حوار سقراطي ألفه أفلاطون حوالي عام 380 قبل الميلاد، يتحدث عن تعريف العدالة ، والنظام، وطبيعة الدولة العادلة والإنسان العادل. الجمهورية هي المؤلف السياسي الرئيسي لأفلاطون وأسماها «كاليبوس».
The events of the play in our hands take place in the sixties of the last century in London, during a period of great social changes. The theme of the play is the cultural and civilizational poverty and great frustration experienced by an entire generation of young people living on social aid.
In “Rescued,” Bond appears to enjoy exhausting our senses by torturing an infant - in a public park - whose mother had left him with his father. What is most horrific is that the alleged father joins his companions in practicing this violence against the infant, to the point of death, without a clear reason. But the critics who defended Bond - and they are few - realized that when he presents a scene like this, he presents it to condemn that political, social, moral and economic vacuum through what T. s. Eliot calls art the “objective equivalent.”
