An immortal masterpiece, the largest and greatest literary work in the history of Italian literature, one of the hundred greatest books in human history, and the most printed, published and translated book after the holy heavenly books in the world... it is the “Divine Comedy.” A unique symbolic journey through otherworldly worlds undertaken by the greatest writers of the centuries Dante Alighieri, a symbol of sinful life, leads him to "Hell" and "Purgatory", then "Beatrice", a symbol of faith, leads him towards "Paradise"... It is a long and turbulent journey towards knowledge and faith, filled with symbols that have given it ambiguity, complexity, and brilliance in the eyes of readers, critics, and interpreters. Transferring all of humanity from a state of misery and misery to a state of happiness and contentment is one of the goals of our book, as stated by its author, by diving into the depths of history, recounting rich life experiences, and classifying people according to their deeds in their world, between hell, purgatory, and paradise, and through what the work contains. Philosophy, wisdom, morals and emotion. The strength of the structure, the strength of the style, and the interconnectedness of meanings are features that uniquely characterize this epic.
In 1920, the British philosopher, logician, and mathematician Bertrand Russell traveled on a short visit to Russia, a trip that brought him a lot of frustration, and later made him one of the most prominent critics of Bolshevism, or the “Russian experiment in communism,” without this meaning that he abandoned his support for socialism as an idea. Or a political approach.
In the first section of this book, Russell records his direct impressions of that visit, in the form of journalistic observations carried out by a committed leftist and first-class philosopher. While the second theoretical and philosophical section is devoted to presenting his main criticisms of Marxism and Bolshevism. Such as criticizing the Marxist philosophy of history, the psychological motives that drive man according to Marx, criticizing the Bolshevik vision of democracy, and refusing to repeat the Bolshevik experience in the West.
Russell presents his ideas to the average reader in a smooth manner without this meaning that he abandons the depth of treatment. Russell's experience and his relationship with a revolution he believed in and witnessed its failure may inspire many. Because it teaches them that changing the world for the better comes through honesty and criticism, and through learning from mistakes, and understanding those who committed them with idealism and courage.
لماذا نخفي على الرجال الكثير من الأسرار؟ ربما لأننا نخفيها عن أنفسنا في البداية.. نحن وُلِدنا في مجتمع يتغير بطريقة أسرع من تخيلات الجميع، حاول الأهل استيعابنا بالقدر الكافي.. لكن الكثير من الحيرة والتشتت وربما «اللخبطة» كانت هي شعار المرحلة..
علاقات مشوهة، أحلام تقف في منتصف الطريق، وتصورات مشوشة عن أنفسنا، وبالتالي عن الرجل.. لذلك ربما نحتاج لإعادة اكتشاف الذات، ومصارحة أنفسنا بأسرارنا الخاصة والاستشفاء منها، ربما في تلك اللحظة يمكننا أن نخبر الجميع بكل شيء
Ingrid Barøy was born on a small island off the northwestern coast of Norway, an island inhabited by only one family, living out their ambitions and dreams that collide with the boundaries of the land and the weather, and the mercy of the sea, which provides a living, but also brings death.
Father Hans dreams of building a pier connecting them to the mainland, but contact with the outside world comes at a price, which Ingrid will know fully after she grows up and goes to work there for a wealthy family and take care of her two children. With the couple disappearing one day, she finds no choice but to return to her home with the two children, and thus the island’s population increases in number, and a different life begins, especially as Norway awakens to a wider world, a modern world that is volatile and can be cruel.
“The Invisibles” is a profound interrogation of freedom and destiny, written with delicate narration and brief, simple, calm sentences tinged with poetic tensions, creating a painting of natural cinema that makes the “invisible” clearly visible.
