So young people write today? What topics do they cover? This book may provide a model for what young people think and how they see the world. On this occasion, we return and confirm what was said previously on other occasions: They write themselves, their lost lives in complex worlds so obscure that they are impossible to write. In these three texts, the ego is present, but it gradually turns into a comprehensive “I” that expresses an entire generation. Each of them writes his lived present, but this present is so fast-paced that it is difficult to capture it and express it in a way that fixes it in a specific form. The question that results from this observation: Can these young people actually live their present? The texts contained in the book are part of the product of a playwriting workshop, which we called “Writing for the Stage.” The name is not arbitrary, but rather carries a specific meaning linking the text and the performance, writing and directing on the stage. This workshop was organized by the Citizen Artists Foundation in 2016
War has no female face (Nobel Prize for Literature 2015)
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Thousands of wars took place, short and long. We knew the details of some of them, while other details were absent among the bodies of the victims. Many wrote, but men always wrote about men. Everything we knew about war, we knew through “the man’s voice.” We are all prisoners of “men’s” perceptions and feelings about war, prisoners of “men’s” words. As for women, they have always been silent.
In World War II, approximately one million Soviet women participated in fighting on all fronts and in various tasks. Svetlana raises important questions about the role of women in the war: Why did women, who defended their land and took their place in an exclusive male world, not defend their history? Where are their words and where are their feelings? There is a whole hidden world. Their war remained unknown...
In her book, “War Has No Female Face,” Svetlana writes the history of this war. Women's war.