On a deep wound that requires ages to heal, the novelist, Kim Ecklin, presses to open a biography of genocide, and travels from the farthest west to the farthest east, to tell part of the tragedy of an Asian country, recording part of the testimonies of the living survivors, and those who wrote small signs, bearing two words. “We will not forget,” and they hung it on tree trunks, and it was also motivated by the story of a woman she met in the market of the Cambodian capital, Phnom Penh, who lost all of her family members at that time, and when the Canadian author asked her: “Can I help?” What can I do? Her answer was: “Nothing, I just wanted you to know.”
ليس من قبيل المصادفة أن يردَف عنوان رواية سارة مطر قبيلة تدعى سارة، بـ يوميات أنثى سعودية حرة. الرواية يوميات كاتبة تسمي نفسها قبيلة. والرسوم على غلاف الكتاب تدل على أن للمؤلفة وجوهاً مختلفة، لذا هي قبيلةٌ من النساء في امرأة واحدة. القبيلة هي سارة، وسارة هي القبيلة
تعد رواية نصف ميت من أكثر الروايات مبيعًا في عام 2014 ويعتمد كاتبها الذي يعرف باسم حسن الجندي على سلاسة السرد واهتمامه بعنصر التشويق والإثارة، وهو يتناول في موضوعاته عالم العفاريت والجن، وقد يخاف البعض من قراءة هذه الرواية بسبب احتوائها على الكثير من الرعب وخوضها بعوالم كثيرة وغامضة، وتكلمت الرواية عن شخصيات
From a meeting between Mihai, who is spending his honeymoon in Italy, with an old friend, the events of this novel begin. He soon finds himself leaving his wife at a train station, and begins his own journey, searching for himself and the memories of his youth. Traveling from one city to another, Mihai experiences the anxiety of his existential questions, and meets friends of that period. He learns the reason for Tamas’ suicide, and Eva’s relationship to this incident, but what does he really want from recalling stories told by time?
In this novel, which is considered one of the most prominent Hungarian novels in the modern era, which achieved great success, was translated into several languages, and was adapted for theater and cinema, the reader feels as if the author is able to penetrate his depths, and not only the depths of his characters.
